Imagine. Create. Inspire. Repeat.
REGENERATION THEATRE believes that live theatre is personal and has the power to affect and move us. By developing and breathing dramatic life into engaging new works, or revitalizing lesser know works that explore day-to-day issues or life-changing events and the emotions and vulnerabilities it brings out of us, we gain perspective as to why we do the things we do to help us understand the choices we make in our own lives.

Above all, REGENERATION THEATRE is committed to the development of new works to give aspiring playwrights and composers the platform to further develop their work in a nurturing, creative environment of peers and colleagues. We also have a passion for revitalizing lesser known and forgotten theatrical works that thematically support our mission of exploring the range of complex human emotions and understanding what inspires the actions allow us as artists to look back and revisit theatrical works that have influenced us.

Some main stage productions will also be accompanied by segments in our NEXT UP Reading Series, a curated second stage programming of public staged readings, which also provide for artists within the company with opportunities for producing, directing or designing. Additional programming throughout the year will feature works-in-progress, staged readings of other forgotten theatrical works, and the presentation of company-created adaptations as inspired by classics.


Barnaby Edwards
Barnaby Edwards founded REGENERATION THEATRE  as an avenue to bring new work and lesser known shows to the stage so that audiences can discover the thrill of discovery and re-discovery.

Regeneration Theatre's acclaimed productions of forgotten plays include Kennedy's Children, Come back to the Five and Dime, Jimmy Dean, Jimmy Dean, As Is, Small Craft Warnings, the New York premiere of The Archbishop's Ceiling, and most recently, The Shadow Box. They have also produced new work including The Boys in the Club, and My Gay Best Friend.

Previously Barnaby produced several shows for Beautiful Soup Theatre, including Lift, Lillion, Little Wars, and Rags. In London during the 1990s, Barnaby produced Paul Emelion Daly's first musical, Crimes of Passion, and designed some of his early plays - Behind Closed Doors and When Harry Met Barry.

He is thrilled to finally bring Skyscraper back to the stage after nearly 60 years.

Marcus Gualberto
Marcus Gualberto is ecstatic to be part of REGENERATION THEATRE and in working to develop the company and its artists. 

Born in Manila, Philippines, is a freelance director and an advocate for equity, diversity, inclusion, and intersectionality for theatre artists on and off stage. For Regeneration Theatre Marcus has directed The Shadow Box, As Is, and Small Craft Warnings. Recent: world premiere of Deny We Were by Joe Moe (The Wild Project); Nélida Tirado's autobiographical flamenco-infused dance theatre piece Dime Quién Soy? (Hostos Center for the Arts). Marcus currently lives in The Bronx.

Marcus is the Deputy Director at BAAD! (Bronx Academy of Art and Dance), and has professionally worked in advertising with Theatre Communications Group, Center Theatre Group (Ahmanson Theatre, Mark Taper Forum, Kirk Douglas Theatre) and USC School of Theatre.